The traditional steam-bent box of the Northwest Coast has been an object of both function and beauty for centuries. Used as storage chests, tackle boxes, cooking pots, ceremonial drums and Chief’s seats, these boxes have played an integral role within the evolving culture and traditions of the Kwakwaka'wakw people.
Click here to view a gallery of the bending processThe two-dimensional decorative art applied to the boxes has also evolved over centuries. And while today’s traditional art still follows the organized structure of Northwest Coast flat design, gradual changes to this art form and woodworking technology show creative innovation on the part of artists who were mentored by their early masters.
Much of the cedar Bruce uses comes from reclaimed logs found along beaches near his home in Alert Bay, and from well preserved old growth windfall. His designs and techniques are the product of years of persevering study and innovation deeply rooted in the traditions of his community. Bruce's studio is located near the former St. Michael’s Residential School, next to the U’Mista Cultural Centre in Alert Bay, where he serves as an artist-in-residence.
Having apprenticed under renowned Kwakwaka’wakw artist Doug Cranmer in the mid-1970s, Bruce's approach to traditional art is within the context of cultural integration. The artist must have an ever expanding understanding of their history, language, myths, songs and ceremony. And they must have a current relationship with their own community if they have chosen to relocate to urban centres to further their artistic careers. It is a challenge today - though not an impossible task - to find determined young artists who are willing to submit themselves to the rigorous and time-consuming task of learning art through mentorship, a process that honours the past and those who have gone before to clear the way for the next generation.